You'll face a fairly diverse variety of foes during the course of the game, some of which
will seem reasonably smart. Bands of bandits will fire on you with crossbows, switch to
swords as you approach, and attempt to flank you. Undead will spring right out of the
ground underneath your feet. Creatures resembling werewolves will lunge at you from all
directions. Yet all these foes can be defeated handily in groups, using the same types of
tactics. Fable's combat has a pretty good, solid feel to it as you wallop your foes with
swords, axes, maces, crossbows, and more. But the combat isn't really a challenge once you
inevitably figure out a few key tricks. Items that quickly or instantly restore your
health will be available in copious supplies, letting you recover your energies in a
pinch, even in the midst of battle. You'll also probably end up hoarding numerous
"resurrection phials," which automatically restore all your health should you be struck
down. Once you learn Fable's controls and figure out its fairly complex leveling-up
system, you'll have overcome its greatest challenges.

The game's moral alignment system is intriguing, but isn't particularly deep.

Of course, you won't be fighting hordes of foes while you're still training at the Heroes'
Guild. After the training is complete, you're invited (rather awkwardly, via an onscreen
prompt) to continue on to your hero's adulthood, the time during which the vast majority
of Fable takes place. You can get through the younger years in about an hour, and the rest
of the story is fairly brief and will take you maybe 10 or 12 hours on your first run,
including the content of The Lost Chapters (and that's if you ignore a few available side
quests, though these don't pad the game's length much further). Fortunately, Fable's world
is sprinkled with little hidden secrets--collectible special keys, talking demon doors
challenging you to open them up in some obscure fashion, concealed treasure chests, and so
forth--and these give the game some additional lasting value. Ironically, though, there
isn't a clear incentive to play through the entire game over from scratch once you've
finished it the first time. Yet, however you choose to spend your time, you should be able
to squeeze a good 20 to 30 hours out of it when all is said and done.

Fable's storyline, which is punctuated by an elegant sequence of paintings showing your
hero's latest exploits, is mostly linear and starts slowly after you get past the
childhood prologue. Past the halfway point, it actually becomes fairly involved, since its
few key characters become relatively fleshed out. However, the hero himself remains silent
during all the proceedings, and all the moral decisions you've made have little effect on
what happens or how it happens. The game does have multiple endings, depending on your
morality and the ultimate decisions you make, but each version of the epilogue is very
brief, and it's fairly easy to see the numerous different alternatives without having to
play through the game from the beginning. This is partly because your character's morality
can be reversed just by visiting one of two different locations in the game, respectively
devoted to a good and an evil god.

All you need to do is pay a hefty donation and your evil or good deeds will be
negated--and, toward the end of the game, you should have plenty of money to spend. The
inclusion of these temples seems somehow unfortunate, as they can undermine the deliberate
process through which your character's nature normally emerges. Furthermore, the fact that
you may continue exploring the game's world of Albion even after you've finished the main
storyline means that you'll be able to see most of what Fable has to offer without having
to restart. Part of the appeal of role-playing games that purport to let you live by the
consequences of your actions is that they offer significant replay value. However, that's
not necessarily true of Fable, though the game does have lots of interesting peripheral
content to explore on your first go-round. The thing is, you might miss it if you simply
follow the main quest, finish it, and reckon you're done. If that happens, you'll have
experienced a quality action adventure game, but you will have missed out on most of what
makes Fable special.

It's fun to see your character develop as you play. You can get a nice close-up look at
the hero at any time at the touch of a button, and you'll see him visibly age and
transform in other ways during his adulthood. It's possible to adorn your hero with
different hairstyles and tattoos--which don't have much impact on gameplay (as you'd
probably expect), but may nonetheless cause certain villagers to respond to you
differently. Your clothing or armor can have a similar effect, but the most interesting
visual changes to the hero occur as a result of your moral choices. Act evilly, and soon
enough you'll sprout horns, walk with a hunch, and you'll gain bloodred eyes; act like an
angel and you'll gradually gain a divine aura around you. There's a dramatic range of
appearances possible for your main character, and even though the variations are mostly
cosmetic, it's still very impressive. Your character even becomes weathered and scarred
from constant battle.

You may choose to take certain dares before you go questing, but regardless, your
adventures in Fable won't be too much of a challenge.

There are other aspects to Fable's personalization system worth noting. Your alignment
will gradually give you access to various social gestures--a nasty insult if you're evil,
or an apology if you're good, for instance. The Lost Chapters adds more on top of the
original game's options. Using these in civilized settings yields results that are, at
least, frequently funny. Ultimately, there really isn't much to character interaction in
Fable. However, gesticulating in various ways and watching as villagers react differently
to you based on your attire and reputation can be entertaining for a while. So can a few
different tavern games available at the drinking establishments in Fable's handful of
villages. The extracurricular activities don't stop there: You may also get married (and
divorced), which is another fairly basic process that leads to some amusing results;
expect your spouse to have some choice words for you whenever you change your appearance.
You may purposely or inadvertently commit all kinds of different crimes while in town,
from brandishing a weapon to breaking windows to shoplifting, and the guards will come
looking for you if you do--you can pay a fine, flee, or try to fight them. There are other
nice little details here and there. As day turns to night, villagers will light street
lamps and shutter their doors. Taverns are always bustling with customers. The way the
game's non-player characters act and respond to you eventually becomes pretty transparent,
but messing around with them as though this were a virtual ant farm can be rewarding.

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Fable: The Lost Chapters Review

This updated version of Fable is better than the original, since it extends the game's
main quest, but the world of Albion isn't necessarily worth revisiting if you've been
there already.
The Good

* Lively, beautifully envisioned gameworld is fun to explore
* Interesting, if slightly shallow, morality system causes your character to evolve
* Outstanding presentation makes the game exciting to see and listen to
* The Lost Chapters adds some great new quests, extending the storyline
* Budget price tag.

The Bad

* Main quest is quite short and linear
* Combat system can be exploited, thanks to some overpowered spells
* Character interaction is shallow
* The new content is stacked at the end, forcing Fable players through the old stuff
again.

For most of the structured gameplay, you'll be undertaking quests that are the stuff of
standard-issue fantasy. Rescue missions, dungeon crawls, showdowns against powerful foes,
and all the other clichés make their appearances in Fable. None of the quests take very
long to accomplish, thanks partly to your hero's convenient ability to teleport around the
world, as well as to the onscreen minimap that always points you in the right direction.
Fable's quests offer a bit of varied challenge in how they allow you to "boast" for
additional rewards by agreeing to take on bigger risks. Basically, you're able to take
dares on certain quests, such as vowing to go through a mission "naked" (just in your
Union Jack-emblazoned underpants, that is), or to slay every foe from the mission's
beginning to end, or to complete your objectives in a certain period of time. These boasts
can add an extra bit of challenge and variety, but they aren't really necessary. The
penalty for a failed boast isn't severe, but if you fail the quest altogether then you
have no choice but to restart that quest and keep trying until you succeed. It's strangely
disorienting to be required to restart a simple side quest from the beginning when Fable
is presumably a game about living with the consequences of your actions. Again, though,
the game isn't hard, so the threat of having to replay quests doesn't turn out to be much
of a problem.

Your hero will grow immensely powerful as he gains experience. Even large groups of foes
will be unable to stop him.

As you complete your missions and slay opponents, you'll gain experience points, which you
can spend to customize your character and how he actually plays. This leveling-up system
is quite good, and unlike some of Fable's novelty elements, it actually adds depth to the
gameplay. Basically, you'll get to improve your character's various abilities within three
different pools: strength, skill, and will. Strength abilities influence your melee power,
toughness, and maximum health. Skill abilities affect your speed, archery, the prices you
get from merchants, and your ability to sneak. Will abilities govern your maximum magic
power and available spells. Interestingly, you gain experience points in each of these
three categories separately, as you fight using melee, archery, and magic, respectively.
You also earn a fourth, general type of experience on top of that, which can be spent on
any of the three ability sets. All abilities within each of the three pools are available
right from the get-go, and it's a lot to take in. Fortunately, some helpful text and
voice-over clearly explains how each option may be useful to you.

Though this system works very well, it discourages pure specialization. You might start
out hoping to become the best possible fighter or magic user. But, eventually, you'll find
yourself having to spend exponentially more experience for limited gains in your chosen
field, versus spending relatively small quantities of experience points to gain
proficiency in new skills. So you're almost certainly going to wind up as some sort of
hybrid fighter/archer/wizard, though you'll still probably lean toward specific sets of
skills, of which there are numerous viable combinations.

The sum total of Fable's elements is a decidedly interesting mix that invites, and often
rewards, exploration and experimentation. That's great, but for what it's worth, the game
doesn't entirely succeed at making you feel like you are the hero. The epic premise
doesn't quite translate into an epic experience. This is mostly because the form and
structure of the gameworld feel contrived. Fable consists of a sequence of relatively
small, winding, interconnected maps, separated by brief but noticeable load times. The
hero himself has no personality (and never speaks, except for a few short, gruff phrases
when you make him emote), and the game's cookie-cutter non-player characters, while often
amusing, don't come across as lifelike. Fable's juxtaposition of cheeky humor and
surprisingly serious story themes also seems odd, as the humor tends to overshadow aspects
of the story that otherwise could have seemed much more dramatic had the game maintained a
more even tone. All of this makes the world of Fable seem very much like a sandbox (in
which your imagination will be the key to your enjoyment) rather than a fully realized and
cohesive fantasy setting--the kind that really draws you in and makes you feel like a part
of it. In Fable, you'll often feel more like the director than like the star of the show.

Fable is excellent from a technical standpoint, featuring highly detailed visuals brought
to life by soft, colorful ambient lighting, which gives the entire game an appropriately
dreamlike, wispy look. Little details are everywhere, and character animations are nicely
exaggerated, making the inhabitants of Fable appear larger than life. The various
environments, which include your standard fantasy trappings like forests, swamps, caverns,
and graveyards, are dense with color and little atmospheric touches. Weather effects look
very real, and other effects for spells and such are also great. But the best-looking
aspect of the game is certainly the hero himself and his gradual metamorphosis into
whatever you're trying to turn him into. Watching your hero take shape over time is a
one-of-a-kind experience that, in and of itself, encourages spending lots of time playing
Fable.

Fable packs enough memorable sights, sounds, and surprises to make it very worthwhile.

The same is absolutely true of the audio, which is quite possibly the best part of the
game. A beautiful cl***ical-style orchestral score plays pleasantly throughout the story,
changing its tone and mood effortlessly to fit each different type of setting and
situation. Ambient sound effects match or even surp*** the richness of the graphics. The
voice acting (all of it is British) is of very high quality overall, and there's a ton of
spoken dialogue to be heard. You'll occasionally hear some repeated lines as you wander
through towns, and this is really the only strike against a game whose sound is amazingly
well done.

Fable: The Lost Chapters is an imaginative game that's got enough remarkable, unique
moments in it to make it shine. That many of these moments happen to be good for a laugh
is all the better. It's true that the game's high points are not always frequent--its
ambitions are evident but not always fulfilled, and its pervasively playful spirit is
sometimes mired by convention. These tresp***es are more than excusable, though.
Regardless of how much time you ultimately spend playing Fable, you're not likely to
forget the experience for a long while. Do bear in mind, though, that if you played the
original, you'll have already experienced most of what the game has to offer, and fighting
your way through all the old stuff again just to get to the few hours of new stuff might
not be worthwhile.

And thats all the summary parts from the fable the lost chapters website message me for
questions or comments please i hate scrolling down how far that is

And dont say i wasted time i used copy and paste